I Love Lamp: International Klein Blue

Such a bright blue sky makes it easy to forget it's supposed to feel like minus 21 today.

UNTIL YOU STEP OUTSIDE.

And while it's not exactly the right blue, it still reminds me of Yves Klein and his faaaabulous blue: International Klein Blue.

I LOVE that blue. I love how strong it is, how flat it is, the performance art behind it.

And it reminds me of so many other things and places and people. Like the Tuaregs I've met in the Sahara on the Malian and Moroccan sides--

(Yes, that second guy is Steven.)

Or this hotel we stayed at in Crete last summer.

Or Chefchouen, the wonderfully sleepy Moroccan mountain town that's entirely covered in varying shades of blue.

Even all our dishes are Fiestaware's version of International Klein Blue!

More blue from today: despite the SERIOUSLY CRAZY cold I dared to go out to the fully winterized (aka unheated) motel strip with some blue tape. You see, arranging furniture and determining outlet placements just wasn't happening on paper. I had to see that shit life sized.

SO much better. Totally worth the brush with frostbite.

It's a shame blue gets such a bad rap being the symbolic color of sadness and all. I find it makes me feel quite the opposite.

(What is I Love LampThis is I Love Lamp.)

(Yves Klein photo courtesy of Yves Klein Archives, all other photos mine.)

I Love Lamp: Barn Wood Table

Our buddies Erik and Solana came up last weekend for some country time and we put them to work. No, seriously. We didn't care that they had their one year old daughter with them or anything. We're cruel like that.

Steven and I had been talking a big game about taking some of our old barn wood and building a dining room table with it. We believed that by combining our general brain power with this book and sheer will we could do it. And while that might have turned out to be true, I'm sure it turned out much better that we had Erik and his carpentry skills to guide us.

And by "guide" I mean, "come up with a table design out of thin air without ever drawing or writing anything down then building it with us in a single afternoon using a handsaw and a drill".

Photo evidence:

I swear I didn't just take pictures and dance to the Black Keys the whole time. See:

Ok well that doesn't really prove anything other than maybe I spent a lot of time squatting and staring at people through my need-to-be-trimmed bangs, but I swear. There was plenty of measuring and drilling and filing on my part.

Later that night we christened the table with some delicious (Solana made) pork ribs, brussel sprouts fried in bacon grease, mashed potatoes, and good times.

I love the table because it's beautiful and functional, but I love it even more because we made it and I will think of that afternoon and these great friends every time I sit down at it. Those are exactly the kinds of things I want to fill this place with-- lovely and useful objects, meaningful friendships, hard work, wonderful memories.

(What is I Love LampThis is I Love Lamp.)

I Love Lamp: Before and After, My Office

There's nothing like two coats of white paint. BEFORE:

AFTER:

Steven's and my studio in Brooklyn was all white-- even the floors-- and I loved that. So the first thing on my To Paint List up here was my office.

We've shared a workspace for the past five years, so having our own rooms is quite the change. On the surface of things, while I love having my books around and easily maintaining the cleanest of desks, the place feels shockingly feminine to me without all of Steven's stuff mixed in.

I find that in retrospect, new places always look stark, unfinished, and proportioned wrong. I'm sure I'll wind up moving things around. It takes time to settle in. In the mean time, there are more rooms to cross off my To Paint List!

(What is I Love LampThis is I Love Lamp.)

I Love Lamp: Malm Fireplaces

Steven and I are in the market for a wood stove and/or fireplace. I've been drawn to these hilarious Malm ones for a while now:

Made in California since the 60's they're a real retro treasure. Aside from perhaps being a little too Darth Vader meets The Jestsons, I think we'll wind up going with a more traditional stove shape so as to get the most heat out of it possible. Because yeah, baby it's COLD OUTSIDE:

(What is I Love LampThis is I Love Lamp.)

(Fireplace photos via Malm, 5 Day Forcast via weather.com)

Local Inspiration

One of the reasons I was really excited to move was the potential to be inspired by totally new surroundings. Already I find myself so influenced by things like-- Winter sunlight.

Steam.

Subtle differences in shades of green.

Old local maps.

The crazy ways that ice can form.

To say that the move has been refreshing is my understatement of the year. I think it's going to be extraordinary to really live the different seasons in a way that we couldn't in "the city". Sure, countryside winter can be... difficult in some boring ways (frozen pipes, scraping ice off windshields etc) but right now I'm surprising myself by just how much I'm embracing it in everything from my daily routines to my graphic design.

 

The Spruceton Inn: A Catskills Bed & Bar

Once upon a time Steven and I bought the old Schwarzenegger's Sunshine Valley House hotel with grand plans to reopen it as The Spruceton Inn: A Catskills Bed & Bar.

By "once upon a time" I mean, this past Monday. Our signed closing papers are somewhere on this lawyer's desk:

It's 8 acres of meadow and woods with a creek (the West Kill), a farm house (where we live), a 10 room motel strip, and a barn.

It's all tucked in to an east-west valley hugged by Hunter Mountain and lots and lots of protected, State owned land. The road, Spruceton Road, dead ends at a trailhead that leads to waterfalls, epic valley views, and other outdoor goodness.

Yes, those are bear prints. Yes, it's just a little different from Brooklyn up here. Steven and I have taken to wandering the property every morning with coffee in hand, making big plans and just marveling at the beauty of the countryside.

I am SO EXCITED about this and cannot WAIT to have every last one of you up! I'll be updating our progress here on the blog (and you'd better believe there will be a lot of I Love Lamp posts along the way). The Inn has its own website as well, SprucetonInn.com, where one day we will be taking reservations.

Now I must be off to prep for the first big snow dump of the year that's on its way!

P.S. Yup, the same Schwarzenegger. Arnold and Karl are cousins. He apparently used to come by, hence the bar being named Conan's Corner. You better believe we aren't changing that name.

Vanishing People

I'm a sucker for local dress and am always intrigued/saddened/stressed by the fact that there are communities of people in this world who are the last of their generation to live a certain way; so it's no surprise that I want a copy of Before They Pass Away by Jimmy Nelson SO BAD.

Click around the website for it, there are some interesting tidbits, like this:

(All photos are Jimmy Nelson's from "Before They Pass Away".)

Traveling with NOTHING

These two went on the most insane or romantic OKCupid date ever, depending on how you feel about travel and clean underwear.

I've gotta say... I'm kind of tempted by the idea. Though three whole weeks might be a bit much for me through all those cities. (A beach? No prob. Give me one bathing suit, one dress, one towel and I'm DONE.) And I'm already sad at the hypothetical prospect of no hypothetical souvenirs!

I Love Lamp: Cultural Appropriation In Design

When I saw that dream catchers were being featured on Design*Sponge today I cringed because I'm frankly really sick of seeing the shallow appropriation all things "ethnic" and/or "native" in design. Variations of different Native American imagery seem to be taking lots of abuse right now, Navajo patterns in particular, and stuff like children's teepess just make me a little uncomfortable.

So I was really happy that see that Amy of Design*Sponge included this in her post as well:

Note: I do think it’s always important to consider cultural appropriation when looking at objects that originate from other cultures. Jezebel had a great article on cultural appropriation here that explains why dream catchers are not very problematic but describe what items are. It’s an interesting read.

An interesting read indeed. I remember coming across this when it was first posted in the wake of lots of high profile fashion folks making heinously cringe worthy decisions like putting their mostly naked models in traditionally sacred headdresses.

And while I don't think this article fully explains exactly when it's ok, that's because there's not just one answer to this question. The line between celebrating/admiring and plain old appropriating is an inherently blurry one. I keep thinking about the whole "I know it when I see it approach" and how that kind of applies here but is unfortunately just as unhelpful in defining offensive cultural appropriation as it was in defining obscenity.

This all makes me think about how chock full my house is of stuff that I've picked up around the globe and I have to ask myself, is any of it appropriation? All that Malian fabric I've made pillows and dresses and other things out of, is that ok because it's not sacred in any way?

What about the Moroccan rugs that can be used as prayer rugs but are just used as decor? Is that ok because they're not by definition religious objects?

That would mean I can never display this Tibetan prayer wheel I picked up in western China at a point in my life when I was very seriously considering Buddhism since it is most definitely sacred and I don't use it as such, right?

Funnily enough I haven't had that out in years exactly because it makes me uncomfortable. However I never cringe when I go to my atheist parents' house and pass by their beautiful, creepy, and perhaps totally inappropriate Stations of the Cross paintings. Is that because Christianity doesn't feel so much like "the other"?

Something else I admire aesthetically but have felt hesitant displaying is Steven's and my collection of Chinese comics that depict how to paint Communist propaganda. Cool, but just not cool if you know what I mean.

This all makes me think about the Egyptian craze of the 1920s. People went absolutely bonkers for "Egyptian" fashion/art/style after King Tut's tomb was excavated. Would that fly today? Part of me thinks no, people would definitely NOT be cool with digging up that guy's grave then appropriating the hell out of his religious imagery, symbols, and objects. Then the other part of me thinks it would be all together reasonable to imagine that people's Pinterest boards would be blowing up with "Nile River" this and "Scarab" that. Would it matter? To whom?

(What is I Love LampThis is I Love Lamp.)

 

 

I Love Lamp: A Lamp Just For You

My friend Craig just got himself this killer 1940's-movie-studio-esque floor lamp. Being that he's in the movie world and all I think it's PERFECT for him.

Not that everyone should go all theme-y with their lighting. I really hope Steven never gets a paint brush lamp or something. Or wait. Maybe I do. Oooooh, maybe now I really kind of do.

(What is I Love LampThis is I Love Lamp.)

Izabela Katreniok Nudes with Your Coffee

Steven told me there was a show at Cafe Grumpy in Park Slope that I would like and he was SO RIGHT. Izabela Katreniok's nude paintings are the shit:

At $340 a pop (framed nicely in black with a cream colored matte) they're not outrageous either. I want I want I want I neeeeeeed those top two ones.

That said, I DO have a killer naked lady painting collection already courtesy of Steven. Here's the latest addition that sits on my desk:

Don't you want to live in the future?!

I Love Lamp: This Guy Loves Lamp Too

Yeah, I love lamp. But so does my friend Adam who loves lamp so much he made his own uber cool industrial chic chandelier. Check this OUT:

And you know how extra  cool Adam is? He wrote out a full shopping list and set of DIY directions just for you! GO MAKE THAT LAMP.

SUPPLIES:

-250-foot spool of 18-gauge twisted-pair rayon-covered wire x1 (I only needed about 110 feet, but buying 250 feet was cheaper than per-foot prices of $1.50 or $2/foot)

-Wire staples x15 (I bought a 100-pack, but only used about 10-15)

-Small metal box x1 (for all the wire connections)

-Bigger metal box x1 (for the dimmer switch)

-Dimmer Switch x1

-White keyless porcelain bulb socket x5

-Edison bulb x5

-Wire nuts x15 (I think I used about 10-15 of the whole set. they need to be small to fit in the small metal box)

-Rubber Grommets x8 (the ones I used had a 1/4" inside hole and needed a 3/8" hole in the box)

-Drywall screws x2 (to mount dimmer box to wall, may change depending on your wall type)

-Outlet box/switch face plate screws to mount dimmer to metal box (may come with your dimmer switch; I used an old dimmer so went and bought two screws and two nuts)

-Plug

TOOLS:

-Drill

-Drill bits for metal (usual sizes, including 3/8" bit. This set has 'em all)

-Hammer

-Pencil (for marking walls)

-Tape measure

-Lighter (or electrical tape; the cut ends of the rayon on the wire need to be secured either by bits of tape or a REALLY quick pass of a lighter--you don't want to melt the wire's actual insulation)

-Wire cutter

-Wire stripper

-Xacto knife (useful for slicing the rayon covering off the wire without hurting the insulation beneath)

HOW DO MAKE IT:

1) Figure out how you want your light fixture to look. Figure out what it's going to hang over, how the wires will be spaced from the ceiling, and how far down. Figure out where the outlet is, where the dimmer will be mounted, and then figure out the following wire lengths:

-plug to small metal box (where all the wires meet and connect)

-small metal box to dimmer box

-small metal box to each lightbulb

Add some extra to the length of each piece of wire that runs from metal box to lightbulb--I added a little over a foot on each. This is important because it leaves room for error and makes the project more flexible. Want to move your table out from the wall another foot? Awesome, just move the wire staples and you have the slack for it.

2) Cut--and label!--each piece of wire. Measure twice, cut once.

3) Strip the rayon off of the last ~inch of each end of all of the wires. The ends that go into the bulb sockets should be more like 1/2" stripped.

4) use electrical tape in little pieces or a quick pass of the lighter to melt the rayon to keep the rayon wrapping from fraying. It's important not to harm the insulating rubber beneath the rayon. The rayon is purely decorative, and doesn't act as an insulator here.

5) mount light sockets to the 5 wires you've cut for this purpose. if you're putting any shades on the lights or anything of any weight, then you'll need additional strain relievers) 

6) mount plug to end of plug wire

Sidebar: this is where it's useful to know an electrician or have a father who knows how to do this stuff. it's important that the right wire goes in the right places, and that your wire, dimmer, and sockets can take the load of the lightbulbs. in my case, I have 5 40-watt bulbs, or 200 watts total. 18-gauge wire is fine for this, and my dimmer is rated at 600 watts. You also have to pay attention to which wire is which. white=neutral and black=hot. in general, the narrow plug prong aligns with the "hot" (black) wire, the middle/end contact in the light sockets should also have the "hot" wire, and the dimmer should go on the hot side of the circuit. don't make this project unless you know what you're doing here, and I'm not really implying thatI know what I'm doing here, either

7) starting from the desired positioning of the light bulbs over your table or whatever, measure out where to put the wire staples to hang the bulbs. mark your ceiling for them and then hang the heck out of those wires. it's important to start from where you want the lights to be and work backwards towards the box because who really cares where the wires end on the plug side? you want the light bulbs to be where they're supposed to be!

8 ) once the light sockets are hung where they're supposed to be (the interwebs recommend 28-34" above your table in a dining setting), run the wire--using the wire staples+hammer as necessary--towards where you plan to have your small metal junction box.

9) drill 7x3/8" holes into your small metal box, 1x3/8" hole in your large metal dimmer box, 2 holes for your drywall screws in the back of the dimmer box (to mount it to the wall), and 3 holes on the lid of your dimmer box for the dimmer (one big one for the dimmer shaft itself and two smaller ones that align with the holes on the dimmer to attach the dimmer itself to the box lid)

10) put grommets in all of the 3/8" holes

11) Assemble dimmer and box: attach dimmer to dimmer box cover, attach dimmer to wire you've cut for that purpose (threaded through the grommet), attach dimmer box to wall, attach box cover (with dimmer attached) to the box, put the knob on the dimmer.

12) run dimmer wire to small metal junction box

13) connect everything. DO NOT plug the whole thing in until you're done. this is where I'm going to be purposely vague--you shouldn't do this project if you don't know how to connect everything in the small metal box. make sure you run wires through the rubber grommets so the metal edges of the holes don't hurt the wires.

14) once you've double-checked that all of the wire connections are secured, that no bare wire is showing, etc, close up the wire junction box, leave it out of the way on the floor or attach it to the wall (your choice! mine is on the floor under the table).

15) screw in the lightbulbs (how many people does it take?)

16) make sure the dimmer is off, and plug that baby in. if there's no smoke/no circuit breakers have tripped, you're almost there. turn that baby on! 

17) if there's still no smoke or tripped breakers, then clean up and enjoy your new lights!

Who is this DIY monster, right? He's the second from the left. Shake his hand if he ever passes you by somewhere on the streets of Oakland. Then get him to come over to your house and make industrial chandeliers til the cows come home.
(What is I Love LampThis is I Love Lamp.)

A Hilarious and Cringe Worthy Redesign

Being married to a Redskins fan, I think I've heard more than the average New Yorker about the controversy around the team name. Unsurprisingly, lots of people find it racist. Just as unsurprisingly, there are other people who are like, "What? What's the matter? It's totally cool to name a football team after a racial slur!" So when I came across this redo of several other teams' logos I had to laugh:

Then last night my pal Ruta alerted me to this article about how they FINALLY changed the name:

Phew!

I Love Lamp: Upstate

In case it isn't glaringly obvious, I've become rather obsessed with what we NYC-ers call "Upstate", aka anything in the state of New York that's not where we live, aka "the country".  And all my favorite publications have apparently been conspiring to further feed my obsession. Last weekend I was moaning with jealousy over these guys' 1800s farm house:

And while I think I'll be a happier person if I never have to see another Tolix bar stool again, I was unduly excited by the Design*Sponge sneak peek of this place in the Catskills:

I'm ready to move in.

By the way, this home is owned by one of The Graham & Co.'s designers. Steven and I stayed there again recently, and looking at the decor, it's a pretty obvious match:

First farm house photos via NY Times, Catskills photos via Design*Sponge.

(What is I Love LampThis is I Love Lamp.)